In fact, the EDF (Eritrean Defense Forces) used sexual violence as a weapon of war against both Eritrean and Tigrinya women: to punish those fleeing their country in the former case, and as an act of extermination in the latter.
The body of women became a battlefield on which there were no sides.
This project has been supported by the Eritrean and Tigrayan diaspora, including individuals and local organizations committed to the defense of human rights. From this joint effort, a collective called “Cross Looks” was formed, composed of Italian and African women, seeking a shared and intersectional narrative around issues of gender, class, race, and all other forms of social inequality.
The final phase of the project focused on constructing meanings that view the body no longer merely as a symbol of inflicted wounds but also as an emblem of the strength arising from care, resilience, and, when necessary, resistance and struggle.
The concept of resilience as a "positive resolution" has been rejected, instead representing it as a complex process that constructively engages with challenges across a broad emotional spectrum.
The collaborative engagement across diverse cultures has allowed for the development of a pluralistic gaze that becomes a space capable of offering us the condition of a radical perspective from which to look, create, and imagine alternatives and new worlds (“Black Looks” by bell hooks).